with Graham and Nathalie
For those of you not familiar with the traditional tango way of doing things, tandas are groups of tracks played together that share a common rhythmic structure, orchestra, or style. It is usual for people to dance together for the duration of a tanda, then swap partners at the end of the tanda which is signified by a 'cortina' (curtain) of so-called "undanceable" music. This is the way that most traditional milongas are organised and the only way that a lot of tango dancers have ever experienced tango. At milongas that follow the rules of tango to the letter, you are supposed to only dance with someone for one tanda per event or else you may be considered to be a fixed couple, and breaking a tanda in the middle to dance with someone else is out of the question. But there is another way of [read more...]
Tango can be bouncy and fun! Yes, there, I've said it. Tango, the dance style that so many people seem to think of as old fashioned or slow, can be just as full of energy and bounce as salsa or modern jive. And no, I've not gone crazy, I'm talking about milonga rhythm, the often-missed brother to tango that follows most of the same rules as its better known sibling, but with simpler faster steps, movement on every beat, and syncopation which adds to the musicality. Okay, so full disclosure... until very recently I was no fan of milonga. I felt it was all a bit too frantic and lacked the opportunity for connection and expression that you get from a slower tango. But then I was unexpectedly thrust into a 3 1/2 hour milonga workshop with Sebastian and Roxana at the England International Tango Festival in Tonbridge ("Quick... [read more...]
With all the #neotango and #tangounderground branding that we are posting these days, a question I keep getting asked is "What is Neotango, and how different is it to traditional tango?" It's a fair question, given that we are trying to encourage people to make the move from traditional events and join us at a neolonga as for all they know it might be as different as salsa or LeRoc to what they know as 'tango'. Have we changed it in any way? Is it a modern version of the dance that had been 'fused' with another style to create something different? Will they even know how to do it? The first and most important thing to get across to people new to Neotango is that it is exactly the same dance as they would learn at even the most traditional of classes. It follows all the same rules, [read more...]
I've seen something very strange happen a number of times over the last few weeks, although on reflection, maybe it isn't that strange after all. Part of the job of running dance events and classes is that I spend a good part of the evening wandering around the room and talking to people. I might talk to them whilst we are dancing (yes... I know... heresy, but we are neotango after all...), over a cup of tea, or whilst they are sitting down at the side of the room between dances, but I do try to get around to as many people as possible. And one of the things I hear a lot is "You see him / her / that couple over there? I / we will never be as good as them!" Fair enough, you might think. We can't all be experts. But then I cross [read more...]
The first time I ever saw Argentine Tango being danced socially was at a Modern Jive and Blues event in Winchester Guild Hall. Most people were sticking to the standard dance styles for those sorts of music, but there were a few people on the floor who were dancing the tango. And it looked amazing. Their ability to connect with each other and interpret the music was incredible, and I immediately knew I wanted to learn how to do that. So when a couple of months later a friend (who up to then I’d only known as a modern jiver) offered to take me along to her tango class, I jumped at the chance. My tango journey was under way. Or perhaps I should say my “neotango” journey, although at the time I had no idea that there was even such a thing. For me, tango was a [read more...]
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